The Silent Queen, Nami Asthavon (2-1, 0-2++)

THE POWER SEALER

To put it into a historical context, the power sealer is something Nami had created for herself to avoid her power fluctuating and potentially causing internal and irreparable damage to her body. Due to the overwhelming amount of damage sustained during the fight for Australia, at the Gold Coast, Nami had this seal placed upon her. This seals entire purpose is to restrict access to her full tier (being that of 0-2++) to avoid this injury to worsen and hurt her until she builds up and heals herself to where she no longer needs the seal. The upgrade listed is written below.

Basically, the sealer takes on the appearance of a rather ancient symbol, mainly infused with demonic writing and Hindu calligraphy, circular in shape with a pentagram in the middle of it. The seal itself works by entrapping most of Nami's demonic energy as well as her reiatsu based energy by sealing it within a mark imprinted on the back of her right hand. The seal is imprinted there for the easiest access, as to remove the seal from her body, she needs to shed blood on it; so by biting her left hand and letting blood drop on it, it will activate the seal. It also must be noted that the seal can only be activated once her OWN blood drops onto it, no one else's but hers. The blood activates her to be at her normal 0-3++ state and access to her sword art skills, but is next to impossible for her to activate her God of Dragon Slayers mode now, impossible as that much power, after being weakened, would literally obliterate her body.

This seal is necessary, as mentioned, because of the injury she could sustain - but it also is possible for her to be a living time bomb. If she exceeds the ten post limit in which she has placed on her seal, it is very likely she'll injure and potentially kill herself irreversibly. This seal was placed on top of her when she returned to Demon World with the help of the Asthavon family, mainly being her sister to custom design the seal.

THE WEAPONS AND EQUIPMENT

This item, the Dragon Cleaving Blade, is the main weapon that Dragon Slayer has been seen using. The sword itself it something that's quite unique, her weapon of choice is a twin-bladed, two-handed sword with a small cross-guard. The entire blade of the sword is completely gold plated, a rather shining gold reflecting off of it. The handle, however, is shrouded in a black cover; spikes near the tip of it. Compared to the handle of the two handed sword, the blade is at least twice as wide as the handle and as thick as a thousand page novel. Although it is wide and thick, the sharpness and deadly force of this blade is not something to be trifled with. The entire sword itself stretches out to be almost longer than her body, appearing to, if put up against her, stand at 5 foot 6 feet tall, almost coming up to the same height as her head, if the tip is balanced on the ground. The blade is rather long and wide for a reason, however. It is needed to cleave through enemies like they were butter, that they were nothing but pure filth under her tremendous blade. She also uses this in a majority of ways to fight dragons, with such a large blade, it is rather easy to pierce the skin of a dragon or dragon user if they have come into contact with the blade.

Another aspect of the blade that is rather interesting is the weight of it. In a way, it works similar to Thor's hammer. The blade itself is extremely lightly to Dragon Slayer as her tremendous strength is enough to pick it up, and is her own custom designed blade that is unique to her. While it is possible for the opponent to pick up her blade, it isn't a simple as just picking it up. Unlike Thor's hammer, her sword can be picked up; although the weight of it, even to someone like Radioactive or Hakai, would be significantly slowed down if they were to try and swing the blade through the air and attack any other person with it. The blade is designed like this so that only Nami can use the blade to it's full extent, while many of the other people she might be in contact with have only a limited amount of power and strikes they can use with it. The blade actually has an interesting weight, however. It doesn't typically stick to a single weight; as it shifts constantly depending on the situation. Which is yet another interesting aspect of the blade. The weight shifts almost as if it's alive. It shifts according to the reiatsu output of her opponent, if the reiatsu output is high enough? It is capable of being shifted to extreme levels of weight.

Light output of opponents reiatsu
The light output of the opponents reiatsu is typically one section on how the blade can adjust it's own weight according the amount of reiatsu the enemy has been using. If the opponent is typically using a light output of reiatsu, the weight of the blade will shift to being rather light; more manoeuvrable in this sense. Although, it is worthy to note that when the weight of the blade changes, it feels the same to Nami; although she knows the different effects it can have. When the opponent is using a light output or reiatsu or energy, the blade typically weighs 100kh, which is still extremely heavy for such a blade.

Medium output of opponents reiatsu
The medium level output is yet the second way the blade can shift it's weight into coming more usable to fight the opponent. In this, the blade shifts heavier than the typical light reiatsu users, shifting it's weight, now, to weigh that of a heavy 500 kilograms, which is stil extremely heavy for a weapon or a sword of any kind. The blade itself doesn't change when the weight shifts, though. the only thing that changes is how heavy the blade is when launching out attacks.

High level output of opponents reiatsu
The high level output of the reiatsu weight shifting is yet another ability which has come inoto Dragon Slayer's power. This is the heaviest and most powerful sword mode; capable of destroying an entire building to nothing but dust in a single swipe. While the speed of these strikes are relatively slow, the power is tremendous. If the opponent is hit by this, it could tear into their skin, cut off limbs, crush bones and even cause internal damage simply by making contact with their skin. The weight of this final level output is that of weighing one ton. The one ton strikes are so heavy, that they are often found being enforced with other abilities. If used with her dark aura ability, the sword strike is capable of being shifted into a two ton strike at twice the speed.

Although, it must be noted that Dragon Slayer's Dragon Cleaving Blade doesn't necessarily have to follow these weights. For example, the weight of the sword can shift to anywhere in between one hundred kilograms and the ton that is found in her high level output section. This is useful in a plethora of ways, however used mainly for getting different aspects of strikes against the opponent. For example, she could switch the weight of the blade to be light, only weighing a hundred kilograms, which is nothing to her, attacking with that; then switching to her one ton weighed output for a high level of damage to follow, constantly throwing the course of battle off and the ways she can attack. Even at the light level strikes, she is capable of performing powerful strikes; although the heaviest attacks are the most deadly and are capable of even cleaving an opponent in two. Another thing that needs to be taken into account is that this blade is connected to Dragon Slayer's soul, it connected to her for life and beyond death at that. As well as all this, Dragon Slayer is capable of summoning the sword at her own will; she keeps it stored in a pocket dimension that is capable of being summoned open at all times. Instead of carrying it around everywhere, she can just tap open this pocket dimension and make the sword appear in her hand at her own will in a flash of golden energy.



The Hell Dragon Cleaver is another one of Nami's special weapons that she has always had since she can remember. The Hell Dragon Cleaver appears as a rather large scythe which stands taller than her own body, when the end is placed on the ground; standing at a good six foot one tall beside her. This scythe can be used in an abundance of ways, not just simply cleaving the opponent open. In the same way as her Dragon Cleaving Blade, it has the same attributes of weight to it; however it does not have the shifting of weight factor to it. The scythe is felt to be extremely light to her, although when most people attempt to pick it up, they can, but the slashes and attacks are sluggish on motion and not capable of being used to their full extent, exactly how her Dragon Cleaving Blade is. The scythe itself is rather powerful, not just in a sense of tearing open a person with an attack type of power, though. It has many other aspects to it which make it powerful in different ways. The first and foremost use of the scythe is the striking curved effect it has, capable of cupping an opponent and dragging them back if they are trying to escape. Like the sword, the scythe is capable of tearing open the enemies skin and ripping them to shreds as if they were butter; which is typical for someone like Nami.

The second and most interesting aspect of the scythe is the reach of it. The reach, in normal form, appears to be that of 6'1. However, this isn't the most part of her scythe. The scythe is capable of turning into a whip, the handle breaking off from the rest of the scythe and extending, so if she needed the extra length with her scythe, she can use it as a whip or throw it at the opponent, using it in different aspects rather than simply having to stand at a close distance. Once the handle is broken off from the rest of the blood, the thing attaching the two ends together seems to be an endless row of bones, almost as if it's a back bone, attaching the scythe blade to the handle once in whip mode. The whip like scythe is rather manoeuvrable at this. Say, she was attacking one person and yet another opponent had suddenly decided to appear behind her. She could very easily flick the scythe blade over her should or twist her body and arms to whip the opponent with the sharp tip of her blade, tearing them to shreds from a distance.

This isn't the only power that scythe is capable of doing, though. Like the Dragon Cleaving Blade, the scythe is connected to Dragon Slayer directly through her soul and is capable of putting different energies into it. As well as this, despite her 'Sword Art' being based on her sword; she is capable of using Sword Art Techniques six, seven and eight with the scythe as they are physical attributes to Nami, rather than the blade itself.

The slicing effect
The slicing effect of the Hell Dragon Cleaver is something that is rather unique to the blade. To be sliced with the blade of the Hell Dragon Cleaver is a wondrous thing, and is quite an interesting tactic which Dragon Slayer uses against her opponents. When the opponent is sliced with the blade, it gives Nami a general map of how the opponents are put together. For example, when sliced and taking the blood of the enemy, it tells her information. If she sliced open Mana with the scythe, it'd tell her blood type, basis of power, even as far fetched as a brief intervention into the opponents path. For a split moment, once the strike initiates, she can see into their past if it makes contact. Basically, the slicing effect only can work one time again an opponent. The things it maps out are as followed:

• Blood type
  
• Power centre (basis of power)
  
• And their family
  

However, all of this effect isn't purely drawn from a single slash. In fact, there is required to be multiple slashes to continue learning about them. From one slash, she would obtain their blood type (if that is applicable to their body), the following slash would hit their blood line, giving them a brief information of those whose in their blood; their family heritage, etc. After five more slashes, she is capable of learning the opponents power centre.

The slicing effect isn't just for gathering information, however. It can assist Dragon Slayer in many other aspects as well as information grabbing. The second effect that her Hell Dragon Cleaver deals is a super-heated technique. Basically, the blade can glow with a deep orange and yellow tint to it, as if it had just been brought out a furnace and be put onto the opponent to burn away their skin. This can be activated at will; if Dragon Slayer wills it, the scythe will appear to be in a furnace and hot enough to slice through buildings and event the toughest of objects as if it was butter. Although, there is an alternate purpose to this rather than the just physically damaging her opponent. Though, say her arm or something of hers got cut off; she could very well use her scythe to cauterize the area, to stop the bleeding and melt it over. Along with the super-heated scythe, it appears as if  when it is activated, it also heightens the temperature in the air around her. For example, if she activated this anywhere; the temperature in the air would rise to phenomenal levels, even as daring to say as high as 80 degrees Celsius, almost twice the temperature of an Australia summer. This acts in many ways; the slicing of the opponent, the cauterizing of her own skin and to restrict the air within an enclosed environment. If her opponent was fighting Dragon Slayer in an enclosed area, she could very well enforce the heat so high that it begins to take the oxygen out of the air, simply making it harder to breathe and eventually run out of air.

TEN PATH SWORD ART

The Ten Path Sword Art is the main set of abilities that Nami is capable of using. It is VERY important to not that these techniques cannot be used outside of her 0-2++ state, making her rather limited in her fighting unless the said seal is removed. That said, these sword techniques are nothing to laugh at. If she were to use any one of these, especially in combination with her general fighting, it could cause massive amounts of destruction, as seen in the Gold Coast of Australia. While she doesn't use many methods of magical fighting, these are sword techniques that utilize her demonic magic born within her to empower her swordplay style of fighting. It comes in ten steps, ranging from both defensive to offensive techniques, including even small steps of support based arts in the midst.

Ten Path Sword Art One: Technique of Rapid Killing: The Ten Path Sword Art is a rather interesting ability that Dragon Slayer has been capable of utilising throughout her time in the world and developing her powers. Technique one is her most common usage of her sword art; the art is typically a motion that allows her to process a instant set of strikes from her weapon, mainly her sword. At the beginning of the technique, Nami's Dragon Cleaver Blade glows a deep viper yellow, giving off an intense aura at the same time. At her will after she has illuminated the blade, she can set off instant slices from every direction. The idea of this sword art technique is that she doesn't actually need to strike her opponent physically, all she has to do is take a fighting stance with her blade, swipe it once (not even having to touch them) and then a flurry of powerful strikes will slam down upon the opponent. The key feature of these strikes is that they are all targeted at key locations on the body, the strike itself launching out at least ten slashes in an instant. The ten slashes are at vital locations on the enemy, each slice would be enough to kill a normal human being instantly if they had not blocked it or dodged it correctly. Although, the people she fights are not normal humans; although it is still capable of doing a lot of damage.

All of the strikes appear to happen simultaneously, striking almost in exact sync with each other. The first and second strike that happens appears to go out towards the person Achilles tendons, aiming to slice that completely open and render that foot or leg useless. The third strike from this technique is aimed at the back of their leg, aiming to slice it out and cut the ligaments in there, the fourth being aimed at the other leg. The fifth strikes is aimed to slice across, horizontally on their stomach, while the sixth strike is aimed towards their wrist, aiming to slice the nerve centres completely open and once again render that arm useless. The seventh, eight and ninth strikes are aimed at the opponents throats instantly from different locations, two coming from the front, aiming to slice open their neck and the final one coming from the back, aiming yet again to slice open their neck, this time that back of the neck. The final strike from the technique is used in a way that it can pierce straight through the opponents eye. However, the final cut isn't the same as all the other strikes, the final strike involves Dragon Slayer having to physically move and stab them in the eye, usually readying herself why all the other slashed have been drawn out.

Although they are slashes that are capable of being done in that sequence, she is capable of mixing up the slashes and doing multiple at one time; not having to do it all in sequence. So, for example, she could be able to use these slices to only slice at their ankle, neck and wrists, not having to do it in a complete sequence as stated. However, the strikes are dodge able as well as block able, but to block it you would need a completely covered body in a defensive layer of defensive technique. Or perhaps you might be able to block one of the individual strikes with a sword or a shield. There is generally no limit to how many times she can use these strikes, as many of people can shunpo away from it or escape it. The main idea of this sword art is to catch them off guard once they've entered battle or even before hand. Typically? Because her loyalty is constantly shifting, she has been known to betray her own team mates and kill them with this technique.

Ten Path Sword Art Two: Technique of Hailing Blades: The second Ten Path Sword Art technique is one of her most useful ones in her base state. The basic practices behind this technique is the amazing amount of pure materialisation that takes place. At the beginning of this technique, the Dragon Cleaver Blade glows a deep red, a dark red, and illuminates all over the area. Within an instant, the sky above the battlefield glows in the same deep red that her blade does, thunder being heard cracking over the area; yet no lightning to be in sight. With a single swipe down of her blade, two thousand copies of her Dragon Cleaver blade slide down from the sky, piecing into the ground at intense speed and ferocity. Each one of these blades is weighed at one ton, each one outputting the extremely high energy output to make the blades heavier. Once the blades make contact to the ground, it appears that (unlike her actual blade) they glow a deep red on the blade instead of gold covering them. The battlefield would now appear to be covered in a field of blades, every few metres or so appearing to be 5'6 foot tall blades sticking out of the ground, although; typically she strikes the far apart over a wide area so the battle can still commence.

As the blades slam down upon the area, it appears as if they have covered the entire battlefield - if it is in an urban area, burying themselves into the sides of buildings or even trees, up streets all across a five kilometre area. The blades are interesting, however. They aren't normal blades at that; they appear to have a soft red aura floating around the red blade. There is a significance of this, the idea is that each blade a super-heated effect to it. So if each blade were to make contact with the opponent, it could easily sear off their skin. The main issue with this is that the blades that fall down upon the battlefield are capable of being picked up by the enemies, although she can also pick them up and use them in a much more experienced and use them to their full extent. Like her original Dragon Cleaver Blade, they all have the effective of weighing the same; and no matter how strong the opponent is, their movements would be sluggish if they tried to pick up the weapon. It is often that, despite these weapons being to handed weapons, that Dragon Slayer can pick them up and duel wield her original Dragon Cleaver Blade and the dark red copy of it in one shot. Although, these blades are not durable at all. If they clashed blades with a person Zanpakutō or another one of their weapons, it would fade away. And if the blade made contact with their skin, it would take five hits on their body to fade away into nothing again.

While all of this is really useful, there is one final thing that needs to be taken into account. She cannot often use this in rapid succession as otherwise she could just spam it and drown the entire area in a flurry of dark red blades. Although, she can change the wide range of them. For example, she could compress it to a small area, launching out two thousand blades into a area of one hundred metres or even smaller, completely penetrating anything within that hundred metres and destroying it into nothing but dust. Although this typically isn't used as she likes to rain down over a large area, having lots of swords around, so that no matter where she goes, she will have one of these sword copies there to assist her. This, is her Sword Art Two, Technique of Hailing Blades.

Ten Path Sword Art Three: Technique of Binding Wires: The third technique is yet another unique Sword Art Technique which is available for Nami to use. It is quite an interesting technique that really isn't... based around her sword much at all. The entire focus of this is that her blade begins to glow a deep blue, this time around, and within a single swipe of her sword; launching out wires that can slice straight through an opponents body with relative ease, like it was butter. The wires well up in the blue aura around all over the blade, the blue wires launch out from the centre of her Dragon Cleaver Blade and launch themselves all over the area in front of where her blade is pointed. The wires that are shot out can have different effects depending on the intention of Dragon Slayer. The first intention that is capable of being used is a binding technique, which is capable of launching out wires thin enough to wrap around the opponent and act like a hainawa, constricting their body and wrapping around them. There's a interesting thing about this however, the wires can wrap around them to bind them and pierce the skin because it's so tight at times. Although they can be broken with enough strength put behind it.

The second way is that she can launch out these wires with intense speed and power, thinner than the eye can only see - the only way to notice they're there is the glistening in the light. In the dark without any light? It could very easily slice open their body without a moments notice. This can be blocked with a weapon or a sword being put in it's way, although it is found to have enough force behind it to slice straight through some items and even force the person blocking back a few hundred or so metres depending on their tier and durability/strength. The most interest thing about all of her Sword Art Techniques is that each one of them is designed to kill, not designed to be training or anything; each one of these powers is capable of killing dragons and have developed in that way.

Although, there is a third technique which can be created. Instead of blue, she can coat the blade in a red aura and launch out, slower but still fast, red wires at the opponent or object. The most interesting technique about this is that the red wire, once it makes contact with an object or a physical being, will explode into a massive ball of fire; aiming to blow apart the opponent with an explosion with this red wire. Something like this is more noticeable compared to the other wires, although it is much more destructive.

Ten Path Sword Art Four: Technique of Quick Strike: Technique four: quick strike is one of the main and most simple of Dragon Slayers Ten Path Sword Art Techniques that she has been known to use and is often found using it to tear about the opponent almost instantly. The technique, typically, is something that is extremely fast paced and not too diss-similar to her first sword art. The main power behind this is that Nami lowers her body to the ground, readying her sword behind her and disappearing into almost a shunpo type movement. The movement allows her to disappear instantly into thin air and rush forward at the speed of light, a hundred slashes from her blade launching out in front of her body, slicing absolutely anything that gets in her way of this. The slashes launch out at almost blinding speeds, the speed of the slashes showing nothing but a blue and gold reflection of her blades slashing at her opponent. A rather simple strike at this. Although this Sword Art Technique has three separate parts to it, all of them rather the same technique in a way, just used in different ways.

The first part to this Sword Art technique had already been explained, and is a rather simple one at that. The second type of attack through this technique is known as 'distant death.' The idea of it is that, lowering her body closer to the ground again, she will draw her blade forward. However, from even up to two hundred metres away, she can slice the air before her; in a larger ball of slashes appearing at the desired area. For example, if the opponent was standing fifty metres away from her, she could lower herself to the ground and, without moving or slipping into that shunpo like movement, slash at the opponent without having to move. Although, the downside to this is that it is very concise compared to the other way of using this technique, it only allows a small section to be sliced and torn apart compared to the first technique. Although, the third and final sword art technique is her most area coverage one. The final technique for this particular Sword Art is the means to have blades slash constantly over area, covering the entire area around her covered in slashes from her massive blade. If someone was to not be able to block this directly, it could very easily slash them from all angles and draw blood quite easily on contact. This Sword Art is one of her most useful when it comes to fighting a group of people, being able to take out multiple people in one strike or hit them in one strike through this attack.

Ten Path Sword Art Five: Technique of Ground Destruction: Yet another part of the Ten Path Sword Art is the outstanding destruction and amount of pure power that she can summon through her Dragon Cleaver Blade. The entire thing is pulsing with energy and different methods of techniques are used in combat through this. The fifth technique that Dragon Slayer is capable of producing is a very interesting one at that. At first, the blade appears to glow a very vibrant yellow purple, illuminating the surrounding areas around Nami. The surrounding area is illuminated for a few moments, before Dragon Slayer brings up the blade and stabs it into the ground with a large amount of force behind it. The blade stabbing into the ground sends out waves of cracked earth through the ground all around her feet and in the general vicinity, covering a good hundred metres in cracked earth and torn ground. The blade that is stuck into the ground is dug into up until the handle, the entirety of the blade being seeped into the dirt and lost into the earth. What follows as a result of this stabbing into the Earth is not a lovely thing, rather, it's destructive as ever.

The blade that is sticking out of the ground illuminates the dirt at her feet, giving the ground a purple tint to it. At her will, she can launch extremely large replicas of her Dragon Cleaver Blades out from the earth to pierce the enemy from below. For example, if the person is high up in the air, she could use this technique to make a sword large enough to pierce through the sky from below. Although, this isn't limited to only one blade at a time piercing through. She can vary the size of the blades piercing, being as tall as a sky-scraper for some while others may be normal size. She can generally manipulate up to a hundred swords to pierce from the ground at one given time, being able to chase an opponent down with blades piercing from the earth. It is quite a useful technique to get the surprise drop on someone.

Ten Path Sword Art Six, Seven and Eight: Technique of Power, Speed and Perception: This particular section of the sword art is the enhancement or herself in a physical connection with her blade and how she utilises it. This path is clumped into one section, however, because of their similarities in enhancement based power. The first and foremost enhancement that is Sword Art Six, is the enhancement of her physical durability and power. Through the blade and inner self, she is capable of making her Dragon Cleaver Blade glow a very vibrant yellow, which is then emitting of a large reiatsu signature as she does this. The blade shines bright with a yellow aura, only on the blade however. During this space, she is capable of using the blade as if it were normal; although she would be able to perform much more powerful strikes with it. For example, if she were to swing her Dragon Cleaver Blade down onto a building, it could split it in half within the blink of an eye and sending it crumbling down to it's foundations. The power behind the blade isn't the only amazing thing for this particular Sword Art, however. The Sword Art Technique Six has another effect, which is commonly known as 'Dragon Heart Devour'. The Dragon Heart Devour is a rather simple technique, which ensures her resting the blade against the ground, the edge resting diagonally. Swinging it upwards, it sends out a yellow shock of energy from the tip of the blade, similar to that of a Getsuga Tenshou, which is capable of splitting a dragons chest right open if it had made complete contact. The power of this is tremendous, tremendous enough to split open dragon scales which are fabled to be the toughest of things to split open. Although, to use this against an opponent is an absolutely insane, it could very well kill them depending on tier and if they take it dead on or not. The power boost, however, is only limited to the post she activated in, then needing to wait five more posts if she were to use it again.

After Sword Art Six, there is number Seven, which is a boost on the speed aspect of Dragon Slayer. Although it is a speed boost, it isn't a speed boost to her attack speed this time, as it is already absolutely tremendously fast. No, this speed covers her blade still in a blue aura, except it now appears to speed up her physical speed. The aura allows her to run at tremendous speeds without wearing herself out too much, as well as not having lactic acid build up in her thighs to make her hurt from running. Essentially, this technique is useful for long distance runs as it wouldn't tired her out at all. Not only this, but the speed is even beyond to that of an in-orbit space shuttle. She could very well be able to run up to the same speed as this without using any kind of step. Although, the boost will typically only last for the post she activated it, just like her power boost. To use the speed boost once again, she would need to wait five posts. Like her power boost, she is capable of using this speed essence boost of her sword art to be able to create clones of herself. With this tremendous speed, she is capable of creating clones of herself to attack the enemy from all different angles; although not being able to physically hurt them due to them being copies and fakes. This is more of an illusionary tactic and allows her to get a close-up shot on her opponent from different angles, depending on if they strike a copy.

The eighth Sword Art Technique is one of her simplest. It isn't based around a sword technique or anything like the others, rather it goes to enhancing her perception. The focus of this is to enhance eye sight, to be able to see five times the distance than that of a normal person, to enhance smell, taste and even touch to an extent. While the enhancements for eye sight, smell and taste are straight forward; the touch aspect is interesting. Whilst her touch aspect is activated, it allows her to feel strikes even before they hit her. Say, a sneak attack was to come and strike her; she could feel the pressure of the blade coming towards her and dodge it because her touch and senses are so high. Like the previous Sword Art techniques, it can only last for the post it was activated in. As well as this, it is then needed for Dragon Slayer to wait five more posts until she can use it again. The blade glows a deep red when she activates the perceptive technique.

Ten Path Sword Art Nine: Technique of Defense: The ninth Sword Art Technique is one of her most powerful when it comes to assault and defense. It is an interesting concept which she adopts into it, which is kind of unique in a way. The Dragon Cleaving Blade begins to shine in an extremely bright aura of blue as if it was the colour of the sky. It shines and illuminates the area until finally her Blade disappears momentarily to evaporate into fifteen blue blades which surround her body in a circle. The blue blades which can now be found surrounding Dragon Slayer's bodies are simply pure energy blade copies of her sword, floating in a circle around her body. What is the use of such a technique? Well, for such a technique, it is capable of many different things. The first and foremost of the technique is it's basis for defence and it's focus on keeping the opponent away from her body rather than allowing them to get too close with their assaults on her. Dragon Slayer has the swords circling her body constantly, although the speed in which they rotate is rather slow. At her will, she can speed up and slow down the rotation of the blades around her body, even so fast it appears to be one blade, not fifteen multiple ones. If the enemy, or anyone, was to make contact with these blades while they're rotating would not only be impaled, but it would slice their skin open as if it was butter, almost appearing as if they were fifteen selee schneiders surrounding her body. It is quite a powerful defensive technique which involves the opponent having to get a fair distance away if they're to be successful.

The second aspect of this is the assault aspect. If the defensive manoeuvres are not going to plan or it's not what she wanted to use, she can simply shift her intention into assault mode. Basically, at her will, she can telepathically launch out the blue blades from her body, sending them flying through the air in any direction she so wishes. Although, this isn't as simple as just throwing the blade at the enemy to impale them. One the blade has broken off from the ring of fifteen blue blades circling her, it grows longer and more vibrant. If she were to throw this at the enemy, it would zoom out across the battlefield even faster than most eyes could follow. Not only this, but the more blades that become broken off from her body, the thicker and more vibrant the ones still attached to her body becomes. Say, if she had broken off fourteen other blades and had one left surrounding her body; it would appears as if the blade was extremely thick, almost five times the size of her Dragon Cleaving Blade. As she breaks this final one off, it would grow yet again another five times in size compared to when it was around the body. Shooting this off, and potentially hitting her enemy, could pierce straight through them and impale them. Although the final sword launched out from the ring of blue swords around her body, once it makes contact with an object, will make an explosion the equivalent to the size of a Lanza Del Relampago.

Although, despite all of this, there is a way to break the blue energy swords around her body beyond her deactivating it. Rather, if you were to slam a fist with immense strength right into the rotation, you could easily stop the blades from turning, almost like a cog and they'd instantly shatter. Although, to do this would be to sacrifice that hand. Although, this can be bypassed when the swords have taken too much damage such as being thrown objects at or hit other people or objects too much. Typically, the blades fade away after the third post and appear to go back into her body as if nothing happened. This can only be activated every ten posts.

Ten Path Sword Art Ten: Final Sword Art: The Final Sword Art, as suggested by the name, is the final tier of sword art. It is quite possibly her most... raw destructive ability. The final sword art technique doesn't have any tricks or hidden values behind it, rather it is simply as it seems; a raw power capable of wiping out large chunks of earth, even cities. In it's simplest terms, it is more than one attack within the final sword art. The final Sword Art Technique is her most powerful sealed techniques, if not her final tier before ascending into her one and only form. The basis of this Final Sword Art is destructive power. The blade that once glowed a solid colour of each sword path, now glows in a rainbow pattern; everyone colour used infusing into one power within the blade. The blade grows to exponential lengths and heights, the length of the blade growing to appear one hundred metres long and fifty metres tall. Simply, the blade changed from the rainbow aura to now appear as her normal blade; except, rather a thousand times larger. The sword is held behind her body, she holds the handle and brings it around forward; simply uttering the phrase: "Ten Path Sword Art: Final Sword Art."

Following this statement, the blade is brought forwards and disappears from sight almost instantly, a thousand slashes from her powerful blade launching out as it disappears in front of her, covering two kilometres in front of her body in nothing but pure ridden slashes of her massive blade. The blade is capable of splitting buildings in half, ripping up dirt and even killing any normal citizen that is unlucky enough to get caught up in the cross fire. This technique, despite it's power, is not a one hit move. Rather is can destroy someone even as strong as her with relative ease, it still takes a lot of power to pull off. Typically, once this move has taken place; she is drained off a lot of energies within herself. the thousand slashes of her massive blade just obliterating everything. Following this, the Dragon Cleaving Blade turns back into it's previous state of being normal sized; hopefully having annihilated the enemy with this final Sword Art Technique.

DEATH ENERGY

DE Class: Class one, highest class without having to have a physical chunk of death himself.

Death Barrier Mastery: Death energy is one of the major aspects of being a Asthavon grants, it allows you a direct blood line to those related to death and are spawns of himself. Death Energy is typically the primary force behind many demonic beings, and especially among the Asthavon family. She is quite different compared to many other Death Energy users, though. In particular, her death barrier is more enhanced than those of the same level. She has spent many years honing her defences with this, being able to deflect many opponent strikes on her. Due to having a mastery in the art of Death Barrier usage, it allows her to withstand many attacks. Most users of the Death Barrier cannot increase the size of their barrier to the length of an American football field. Rather, Dragon Slayer is capable of extending it to that size and any other size smaller that she so wishes. On top of this, her ability to break through armour in the decay technique is one of her most useful methods when using her Death Energy.

BREAKDOWN

It is commonly noticed that breakdown abilities among Death Energy is the usage of being able to decay objects and even people into nothing but a pit of well done mush and even ash. The breakdown abilities that Dragon slayer is capable of using are rather interesting one's, although they are really nothing out of the ordinary or nothing that you wouldn't expect from a breakdown DE user.

Black touch: Black touch is one of the few Death Energy based techniques which Dragon Slayer can use to decay not only items, but people. The black touch is a technique that comes unique to Dragon Slayer in all her forms or when she decides to activate her Death Energy. Basically, the black touch is similar to a curse on the opponent; in a way, infecting their body with decay. The decaying technique known as black touch is capable of ripping bone from skin within a matter of seconds. Although, how does it work? It works through Dragon Slayer channeling a bunch of her Death Energy into her finger tips; her entire hands appearing to be covered in a black aura at this time. If her fingers manage to touch a living object or a body, it will begin to decay that structure; living or dead. In this way, it is seen as something similar to a curse more than an ability.

The black touch, once touching someone's body, will latch itself onto them. The black aura around her fingers will begin to rip away at their skin or whatever she has applied this ability to; not stopping until the black aura has been stopped somehow. In a way, this is similar to barrangans decaying abilities, eating away at the flesh and organs. Although, there is a way to stop the ability from spreading over an object with enough force. The decaying curse can be stopped by only one way; emitting enough reiatsu to simply shut it out and completely nullify the decaying effect. The reiatsu needs to be amplified heavily to the area or it will eat away at the flesh running up their arm until it has consumed their entire body in nothing but a decaying black energy.

Void of Decay The void of decay is essentially one of Dragon Slayers most useful benefits when it comes to fighting with her Death Energy. Her Death Energy comes in a multitude of ways, being able to decay many things alone with her breakdown abilities. Although the Void of Decay? That is one of her strongest Death Energy based techniques that she has come into contact with. Without going into too much detail, the Void of Decay ability has the potential to wipe out even all of Karakura with a single ability; being able to kill and destroy everything within it. The Void of Decay has only been used once in her past; and when she used it, it got out of control and destroyed everything in her wake. She tends to avoid using this ability as it isn't stable enough for her to use without major ramifications. The focus of such an ability is to destroy large areas if there is an assault, being able to literally bring the standing structures of cities and towns to zero. As said, this ability does not appear very often, in fact she will normally never be pushed as far as having to use it. She will refuse to use it.

The details into this ability? Well, one way to describe it is that it is really not pretty. The effects of it are drastic, as already stated. Basically, she activates a small ball of death energy to build up in her hand, which then instantly starts sucking the light out of the area, the more light it sucks in, the more powerful it will become. As the ball becomes larger, she will typically throw it away from herself, usually into a town or in the middle of a group of many people. As the ball continues to suck in light and more energies from the surroundings, it become more apparent that this Void of darkness is not too dissimilar to that of a black hole. One it gets larger, it then becomes powerful enough to suck in buildings and even people. The basis of this Void of Decay is that it feeds on light, it almost acts similar to a solar panel, using the light as it's energy source. Although, it will continue to suck until it is at it's peak; which is when the ball is said to cover an entire kilometre of land. The ball, when this big, can suck up objects and people from up to ten kilometres away, being able to drag them into the void of darkness and completely destroy them. Once an object or person makes contact with the large ball of energy, they will be torn to shreds; their entire being ripped apart. Although, for powered people, it is more than simply tearing them apart. They can pull away from it with enough pressure. This attack isn't an insta-kill if they are hit, but it will drastically put them near death if it is capable of touching them with enough force.

If a person is drawn into this ball of decaying darkness, it will begin to rip the flesh from bone. If the person is entirely drawn into it, with all of the buildings and other surroundings; they might as well be considered dead as even before entering the void, their body would be torn to pieces. When her only time using it, she had nearly dragged herself into the own void of decay, nearly ripping herself to shreds. That was the first and only time she has used it in accordance to her memory.

This technique has another ability to it, however. As the massive black ball of decay is in the location she wishes, she is capable of breaking parts off of it. For example, once the Void of Decay is at full power and covered a one kilometre area, she is capable of making the ball smaller by breaking off fifty metre diameter balls of black decay and spread it evenly throughout the world around the main big one. Essentially, she can break off up to two hundred off the fifty metre balls of decay and place it in a circle around the main big one. While it is still extremely unstable, this allows her to help stabilise the big ball of decay from sucking everything else into it. The smaller ones, at her will, can also chase after opponents. The balls will seek them like homing missiles if Dragon Slayer wished them too, however they can be defeated with a single slash of a blade or an energy attack. Any contact with the skin would instantly rip the flesh from bone. This is to be avoided at all times if possible.

NECROMANCY

The necromancy side of Dragon Slayer's Death Energy is one of her most interesting and scarily powerful techniques. While she is not a spell caster per say, her necromancy is nothing to laugh at - being at the highest level of Death Energy she can get at this point in time.

Simple Dead Raising: The simplest form of Nami's necromancy abilities is the first tier known as simple dead raising. The raising of the dead is something that most DE users are capable of doing, and if they're powerful enough; being able to raise even high levelled characters. The simplest form of Nami's necromancy is raising an army of undead demonic creatures, or even people if they are located near a cemetery. Typically in the demon world, when fighting there, raising an army of the undead or skeletons is completely possible. In fact, for Dragon Slayer, it isn't completely impossible raise her own complete army of undead creatures and humans; depending on how much sources she has to raise them from. These creatures all feed lightly off of her Death Energy Field, feeding them constantly and allowing them to stay alive. While they are not powerful individually, in a horde? An army of the undead is a powerful tactic to use against any opponent.

Advanced Necromacy: The advanced necromancy techniques are far more superior than to just raising an army of the dead, as per say. Although it is quite a draining technique, it has been known to come in handy from time to time, although it isn't used a lot; some goes with the rest of her Death Energy traits. The Death Energy that surges through her body is actually capable of summoning the ability to bring back recently deceased, tough allies or opponents. So, for example, if an allies character had died in the thread, as long as they are a lower tier than Nami, she is capable of reviving them and bringing them back to health to fight. The problem with raising such a power figure, though, is that they will constantly feed off of her DE field, which can drain her quite a bit. To animate such a body takes extreme precision and skills, for many it is not possible. But Nami has honed her skills in raising the dead to bring it to such a high calibre.

The extent of her necromancy abilities are rather extreme, making for a rather powerful conjurer of the dead. She has even been known to raise fallen allies to come back to life, with all of their abilities in tact. She can raise them only momentarily, though. The longest amount of time she can keep them raised for is two of their own posts. The person she raises, if a playable character, the player will be able to control them for two more posts, if they had not already died. Or, with the permission of the person, Dragon Slayer can control them herself (allowing me to control their character for their brief moment of necromancy). The person in said undead state would be able to have access to all their powers; and for those two posts be seemingly feeding off Nami's Death Energy field, and appear to have all of their lost energy refreshed. This all dies again after the second post, however.

THE FORMER DRAGON SLAYER GOD

Kana Asthavon, formally known as the God of Dragon Slayers was a portion an entire entity that lived within the confides and grew as a part of Nami's power. A being that emerged and was able to take over Nami entirely when the form was activated, basically becoming the apex predator for Dragons at the time. Due to the circumstances of losing power due to injury and a change of perspective/need, Kana no longer maintains her abilities that incorporated Dragons and Dragon Slaying. Instead, however, she has been put on the back burner and turned into a mystical entity that still is said to live on as a part of Nami's demonic and spiritual power. Due to the intense strain it normally takes to release Kana, the ability to resurface Kana has temporarily been restricted, making her something that only (as of right now) exists in the theoretical sense. If Nami were to try turn into Kana, she would not only find it nearly impossible, but if completed kill herself. Due to this, this is something she has to re-learn. Wiping clean the slate of dragon slaying powers, Kana will in future turn into something that has customized powers based on Nami's will.

Due to Nami's original ideal of hunting dragons and dragon like beings, she had turned into something that used the beings she hunted as a source of power and inspiration. With that now lost, Kana must build up a new set of abilities - something that may be much more stable and based not entirely around attacks that could "kill dragons instantaneously" as it's main objective. Under normal circumstances, she would not be able to customise Kana's power on a whim - however the power Nami lost and gave up allowed reformation and gave Kana the opportunity to birth something much more impressive, something that could potentially be just as destructive as the original God of Dragon Slayers moniker she identified under.

Affiliation/Rank: Kana Asthavon
Titles: Former God of Dragon Slayers
Age: Unknown, timeless.
Gender: Female
Affiliation/Rank: Nami Asthavon, Asthavon Family.

Written Appearance:
The God of Dragon Slayers for is the final stage of evolution and her only form that has developed throughout her time as a demon. Her demonic states are not the same as most other demons, most other demons have multiple states of ascencion. In fact, it's comparable that Dragon Slayer is constantly in her first evolved state and could fight on par with most first form of other demons. This state is equivalent to the bankai or resureccion of a vizard and a shinigami. GODS mode is her official final state of ultimate form. To be fought against in this mode shows extreme perseverance on the opponents behalf, as she next to never uses this mode. This final form is her euphoric state, it grants her a new overall appearance and even a new name, blood type and all the minor details; basically? She becomes a whole new person. In this state, it needs to be noted that her appearance changes fairly drastically, as well as her Dragon Cleaving Blade changing into a completely new form of blade.

The first thing that is noticeable about Dragon Slayers new appearance is the longer hair that she now has, which drapes down a little longer until it reaches around her shoulder blade area, mid back section. Her extremely yellow and viper eyes shift into a deep red, which illuminates the surroundings and in front of her from the raw amount of power contained within her body. The red that is in her eyes is equivalent to the same colour of her Reiatsu. Her reiatsu and energy becomes so intense with this form, that is seeps out to appear into her eyes. Not only this, but on her pale skin, every now and then it can appear to have cracks into the her skin; every few inches on her skin appears to have cracks of red seeping through. However the cracks in her skin are only light and barely noticeable even when up close. From ascending into this state, her original height of being 5'11 now makes her stand at a good 6'5, her legs being her rather most long feature. Her legs appear still rather slender, as does the rest of her body. Compared to before, her final state is something that means to tower over most other people. The idea of a height boost is to give the impression, to herself and other people, that she is above them without actually making a statement of her powers. A key feature of her final form is that despite her becoming a completely new person, known as the God Slayer, her general body type does not shift at all.

The outfit that appears to be worn in this final state is something of great value and notoriety. Her hair remains a pitch black while her outfit still remains black, as well. It appears she is wearing jumper, running up to her neck and all the way down into a skirt; a white stripe running down the middle of the form with a zip being able to do it up and undone. Under the jumper that appears to go into a skirt, she wears a simple black corset and black short-shorts, to give the effect as if she's just using the dress as a jumper. Like in her previous state, Dragon Slayer has different thigh high stockings, running all the way up her thighs and stopping just before they reach the end of the jumper. At the top of the stockings, they appear to have white jewels spread out over them, in a circle. At the bottom of these stockings appears to be yet another set of shoes, different to the ones before. They are long boots which run half way up the calf of her leg, completely black and very heavy duty looking. On the back of the boots appears to have a small spike, extremely sharp, digging out of it which is capable of being used to kick into the back of the opponent.

Along with this outfit change, there appears to be a whole new concept to her appearance rather than the clothes she wears. For example, on her left arm there appears to be a sort of guard. The guard is black, red and gold in colour, which appears to be covering her left arm entirely. It is a form of armour in this state, although it does have more than just the purpose of armour which will be stated in this forms power section. The guard is sharp spiked closer near her shoulder, appearing to be bolted to her arm. Although, this isn't the only interesting thing that appears to have taken a change in this God of Dragon Slayers final and only form. Over her right shoulder appears to be a katana slung in a scabbard, attached by a rope to either end. This katana is the alternation of her scythe from her previous state, now appearing in a form of a katana which will also be explained in further detail below.

WEAPONS AND EQUIPMENT

TO LEARN MORE ABOUT THE ORIGINAL KANA, CLICK HERE

Dragon Cleaving Blade: MK 2: During this mode, Kana has two main visible weapons; the first being a major change to Nami's "Dragon Cleaving Blade". The first adjustment that is different is the swords name, changing from Dragon Cleaving Blade to Dragon God's Slicing Katana. This new blade appears to be extremely long, standing at now six foot three, nearly as tall as Nami herself. The new blades is en-coated with a mystical aura, almost as if shadows are crawling around the blade. The blade that has shadow and darkness crawling around the blade is the dark aura that was once inside Nami's body, encircling the blade which signifies the effect of double the power being pored into the blade. The immense amount of pressure that this blade, which is connected to her and considered a part of her, emits is beyond a crazy level; it is capable of splitting mountains in half within a single swipe due to the massive amount of pressure put behind it. The durability of the blade is something that also goes up, not to mention the overall power. All of the sword techniques that are availble in sealed state are still there for use in this one, however each ability now has an added punch to it due to her ascension.

To fully comprehend the amount of pure pressure this blade gives off, you would need to be stepped on by a thousand dragons, all of their pressure squishing you into the ground. To get hit with the blade is equivalent to a thousand dragons striking you at once in that particular location. A medium strength swipe with this blade could break the sound barrier, knocking the person through the air and emitting a explosion of sound, to signify the sound barrier breaking. Not only this, but the amount of air pressure that builds up once the strike has taken place is incredible, the strike's pressure being so tough that even the air can be seen being broken in white hazes and cracking noises. This is the true power of Dragon Slayer's sword art techniques. Although, there are a few changes and a few additions to the blade; which has now been recognized as a large Katana in place of her 5'6 two handed blade.

Just like the previous state, the weight of the katana can shift which will be explained below.

Light reiatsu output
Just like in her previous state, the light reiatsu output is one of the weakest and base levels that her katana can stay at. The base weight in her previous state was said to be at a hundred kilograms, which is still extremely heavy for a blade. In this state? five hundred kilograms is the base weight for the blade, although Dragon Slayer can lift it up like the blade is nothing but a feather. Yet, to other people, they still have the trouble of picking it up no matter how strong they are. The reiatsu output has to be rather intensive in levels to make the blade shift weight. Although the light reiatsu output isn't weak in the slightest; even against the toughest of opponents, it is quite possible that it could rip them open without actually having to shift weight at all.

Medium reiatsu output
As said, the previous reiatsu output of the blade was set a five hundred kilograms for the medium level. It isn't something that should be taken lightly, even despite in this state 500kg being the base amount of weight. When the medium reiatsu output is put into practise, it can shift it's weight automatically up until it reaches even as far fetched as five tons. To be hammered down with a strike from the blade could literally split a high tier person in half if they had no blocked it completely. As said previously, the power of ten thousand dragons swiping down onto the opponent.

High level reiatsu output
The high level reiatsu output is the final tier of her swords extreme weight power. The weight of this final tier is equivalent to getting struck with the paws and claws of ten thousand dragons. The weight of this sword suddenly shifts to fifteen tons, a drop of this onto someone almost certainty crushing them in an instant. The slicing effect with this attack is ten times stronger than the base stage, literally being able to hit the opponent so hard and powerful, that if it makes contact and is not blocked, it could sent them launching across kilometres of land and rip open their bodies. All of these attacks are built to be dragon killing techniques, and that is exactly what she shall do.


Corrupted God Blade: The Corrupted God Blade, one of her side arms when it comes to general combat. The original state of this weapon was known as Hell Dragon Cleaver, capable of many different effects including the detachment and whip like formation of her scythe and the super-heated cauterizing effect, as well as data sorter. The katana that appears to be compressed from a large scythe has all of these same traits, still having the slicing effect to be able to use to her will; not to mention the ability to be able to extend it. Although, it is an interesting concept now. How can you extend the blade of a katana to become a distanced object? It is so far away? Well, not really. In a way; it acts in the same way as Gin Ichimaru's shikai would act. It shoots out extremely fast, shooting across the battlefield to penetrate the opponents skin, by stabbing them harshly through the desired area. The blade is rather simply shot out, as well. She actually doesn't have to have appeared to have pulled the katana out for the effect to work in the same way as if it was drawn.

One of the main desired effects of this katana is the multiplication ability. The multiple technique is used to strike the opponent multiple times or multiple opponents a hundred times in an instant. In accordance to this ability, she has to draw it now, though. Once the blade is drawn, however, she points it at the enemy and simply utters under her breathe: "Kill." This phrase allows the small katana to launch out a hundred instant stabs within the blink of an eye, the stabs all happening in rabid succession and aiming to impale the opponent with the many possible stab attempts. All of these stabs that launch out are similar to Gin Ichimaru's in a way, while it is not actually at the same speed as his; it is still fast and powerful. Not only this, but with either the single stab technique or the hundred of them, if a blade makes contact and draws blood on the enemy, it will have the slicing effect. The slicing effect, as mentioned earlier in her sealed state, is her ability to be able to be able to store data and information about the opponent. As the sword is connected to her, it transfers that knowledge to Dragon Slayer almost instantly. The slicing effect also has the burning technique, being able to incinerate the opponents skin on contact; which can act as a cauterizing technique to Dragon Slayer herself.

The final bit of difference to this blade is the shifting of it. As it is seen as a typical Katana, she can actually bend the blade to appear into many different weapons and shapes. For example, instead of it being a katana, she could very easily make the shape be something along the lines of a spear, a shield, her old scythe, any shape she so desired. Through this, she can create her old scythe back, making the bone whip effect possible once again; crafting it. Once she begins to craft it, a bright yellow light emits and covers the weapon, before disappearing and revealing the new weapon behind the light.

RELATIONSHIPS

Mana: Mana, the demon queen, is one of the very few people that she has actually made an alliance with. Nami, although a very lonesome person, does generally listen to her in many of deals if she were to aid in an attack or any other aspect. Why are they so close? Well, one of the reasons is because they are sisters. Sisters together with the idea of ultimate rule and destruction. The two of them are sisters, along with Kagari and Strength. Although her relationship has been significantly stronger once it comes to Mana as Nami kind of sees her as a role model in a lot of ways, the same way a younger sister would look to their older sister for inspiration (despite being older than Mana). Mana is one of the very few people who actually knows her name, yet Nami still insists that she refer to her as Dragon Slayer instead of her actual name.

Strength: Strength is one of the many few people she also has an allegiance with. In a similar fashion to Mana, these two are sisters in the family of Asthavon; they have spent countless amounts of days together along with Mana sticking side by side. Although, as life developed, they ended up going many of separate ways; Dragon Slayer becoming more of a solo character as Strength has still kept in touch with Mana and the other side of the family. The relationship between Strength and Nami is weird, however. They can actually be playful together and talk as if they were normal people, despite Nami's sly and mysterious overall personality; Strength is the one person she can talk normally with without hiding her words. Yet again, Strength is one of the only people who actually knows Dragon Slayers real name, Nami.

Kagari:

Abaddon: The relationship between Dragon Slayer and Abaddon is a rather interesting one, in that she doesn't exactly... trust him as a being. Although the two of them are aligned on the same side of the spectrum, both being allied with Mana, Nami doesn't trust him a single it. For Nami, the relationship between Mana and Abaddon is the only thing stopping her from killing him instantly. As he has revealed his powers to be related to that of a dragon, in fact, having his power of his final form as that of a dragon. If she had it her way and there was no connection to Abaddon? She would slay him and destroy him, taking the essence of his power and add it into yet another path for her Five Path Dragon Techniques. Her main issue with Abaddon is the fact he has the power of a dragon, yeah, but it's his general aura he gives off. She just doesn't trust him a single bit and she doesn't know why. Due to his disappearance this has been a thought on the back of her mind, but as of right now she is not bothered by him, thus giving her mind some sort of rest on the topic.

Touketsu: Touketsu is one of Dragon Slayers most disconnected relationships. When her and Touketsu are brought up into a sentence, she generally avoids it. Unlike Mana and many other demons who have a connection to Touketsu and have been able to create many paths with his knowledge and guidance, Dragon Slayer has gone the other way. She doesn't think of him in a high regard, in fact, she thinks herself above such a "lowly" demon God, in her eyes. Although her family is connected to him and Mana in main focus here, having a good connection with him. Although, after her rise into the Asthavon family, Touketsu did create paths from all of them and open many metaphorical and physical doors for the family. Although, a lot of her power has been drawn from Touketsu; it's kind of ironic how she has become so not trusting of the demon God. Touketsu, to Dragon Slayer, is yet another person that she could potentially aim her blade at to kill in future.

Amaimon: Amaimon has been recognized as Rin Okamura's brother throughout her knowledge, and is connected to Satan himself. Amaimon is someone that has a very interesting relationship to Nami, it's complicated. The two of them had actually had a interesting battle at once in their history, in this fight none of them were seriously injured; rather it was a test of strength despite Nami's promise to kill whoever she gets into battle with. Actually, one of the reasons the fight took place initially was because Dragon Slayer had mistaken the man for a Dragon and attempted to cut him open and steal his dragon based abilities, only to find he is not a dragon at all; more lizard based with the massive appearance of a dragon. After realising this, she essentially withdrew from battle as it was trivial for her to keep fighting over nothing any more. Does Amaimon hate Nami? She doesn't even know that, but she certainly doesn't hate him despite going into a brawl with the lizard.

RESOURCES AND ASSETS

The Asthavon Family: One of her massive assets when it comes to her resources is her family. The family itself has given Dragon Slayer many opportunities into the world of the demons, and through her sisters and other family members, allowed her to mould her abilities and hone her tactics a lot more. Together they have aided and allowed her resources while in the family. Due being related to Mana, and being part of the most powerful families in existence, it comes down to notoriety as well. The notoriety of the family is something that keeps the family alive and continues to be a recognised as a very scary family. The Asthavon family is also very interesting when it comes down to how they run. They have many connections to organizations as well as sources and bases stationed all throughout earth and spiritual realm, along with orgs having connections and having a lot of control over America, as Mana controls it.

Shadow Fall: Shadow Fall is one of the other connections she has. Although, while Nami is not actually within the Shadow Fall ranks. No, she rather just has a connection to Shadow Fall through the fact Mana is the leader of the family as well as leading Shadow fall, being the middle throne of their ranks. This automatically grants her access to the controlled areas without being attacked or seen as an enemy, being able to walk through America and been seen as an ally, despite the fact she might not see them as an ally. Although she is technically 'allied' with Shadow Fall, she doesn't actually team up with them. She could very easily kill Shadow Fall members as easy as Gotei members, if they provoke her enough or have the power of dragons which she constantly hunts for.

Vicara Plane: Nation of Thought: Due to being queen of the Vicara Plane, Nami has been able to access all the resources within the area to use at her whim. While she does not abuse all of the resources and capabilities of the plane, if she wished, a lot of things could be pushed around and given to her to make sure she has all assets possible. This also means she can conscript villages, settlements and potentially a lot of citizens within the nation of thought into a military if they are attacked; forcing a lot of demons to act as defensive armies. While it is not exactly required for them, this is an example of what she could request. This also is the same for natural resources, if someone only grows, or builds up, within the nation of thought; she is able to access it.

SKILL SHEET

Racial Skills

• Za Koa Skill: Advanced
  
• Demon Magic: Advanced
  
• Shadow Movement: Advanced
  
• Akuma Kyōdo: Master

General Skills

• Durability: Advanced
  
• General Speed:Advanced
  
• Strength: Master
  
• Weapon Skill: Advanced

DE Control

• Semi-Immortal Capacity: Advanced
  
• Breakdown Skill: Advanced
  
• Necromancy Strength: Advanced
  
• DE Barrier: Master

Will Skills

• Willpower/Determination: Advanced
  
• Mental Deduction: Advanced
  
• Pain Endurance: Master
  
• Focus: Grand Master