Buskin' With Soul
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- basswalkerEstablished Member
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Buskin' With Soul
Sun Feb 16, 2020 10:42 am
An afternoon in Minatumi Harbour was just like any other. The clear sky, the smell of sea air, the sound of ships arriving and leaving; it didn't differ too much from other seaside cities she'd visited. What was different, however, was the feel of the city. The sheer weight of the air might've been oppressive if it weren't so tantalizing. The walls themselves seemed to be alive.
... And, the people? The people were free to be themselves. Here, race didn't matter. Dimension of origin didn't matter. Arrancar walked alongside human, demon and other things she didn't quite recognize at a glance. Sure, the sight of a few Hollow gnawing on the walls was strange, but it was a good strange.
It was a strange that brought a smile to one's face.
Olivia Flynn, newcomer to the lands of the east and mostly-human, had staked her claim to a particular street corner. The funk of her flight and subsequent train ride over the sea from the mainland still clung to her clothes, though it was nothing stronger than the smells of the Harbour itself.
Her bags were left back at the hotel she had only just checked into that morning, and so she sat in a tank top and red denim pants, with an old and beaten six string laid across her lap. The guitar had just been purchased from a nearby pawn shop; sold by an owner too arthritic to play it any longer. She had known it was special the moment she'd laid her eyes on it. The wood was weathered, and the head wasn't original. What looked like a child's handwriting had marked its body with the simple words, "Monster Mash."
However, it had soul, and a spirit that cried out to play its beloved blues again.
As the crowds continued on their day around her, a faint green light glowed along the strings of the instrument. The girl smiled at just how strongly the instrument felt, and after tuning the guitar to a drop D, she began to play a bluesy, grungy tune with the odd percussion of her knuckles rapping against the body of the instrument.
"Slippin' on another go, I won't let it show. Won't you touch me, touch me? I won't let it go."